by Evie Shockley

i am 70% water & 100% black
so i rain because shit brings me down
so i ocean because i’m just gonna keep coming back
so i river to carry on carrying on
so i rain because i sound sweet drumming tin
so i ocean because my blues are inky
so i river to bottom out
so i rain because i’m not always above it
so i ocean because i’m salty
so i river because you cross
so i rain to clear my thoughts and muddy yours
so i ocean because i wash up all over the world
so i river to run for our lives
so i rain because things can get gritty
so i ocean because you’re in over your head
so i river to put the dirt where it’ll do some good



Poem copyright 2024 by Evie Shockley. All rights reserved.

&
See two more poems from Evie Shockley debuted on The Fight & The Fiddle: from the infinite alphabet of afroblues,”  and  “décima on the fabric of time :: sirius, polaris


Read more in this issue: Interview | Critical Essay | Writing Prompt

for tamir rice & amber nicole thurman

by Evie Shockley

the play of light moving through
     infinite darkness creates
large-scale rhythms :: others, deep-
     buried, our own heartbeats generate ~

the fabric of time is black,
     a veil through which a brown-skinned
     boy goes unseen or might blend
in with shadows that attack
white imaginations ~ track
     the second hand, the eleven
     hops between tamir & heaven ::
how black child’s play compares to
the play of light ~ moving through
     life, black’s fast at twelve years even ~

the fabric of time’s a shroud
     that drags everything out, circulates
     infinite darkness, creates
around black people a cloud
that justice isn’t allowed
     to freely enter ~ we count
     the hours sepsis had to mount
its assault before the care
amber needed came :: we dare
     to hold her lost black years paramount ~

the fabric of black time folds ::
     a brutal physics that places
     their two lives’ theft not in stasis,
but proximate to the holds
of eighteenth-century ships. old’s
     not what those captured had coming,
     yet some held onto their humming
long enough to regain, keep
large-scale rhythms :: others, deep-
     wounded, hailed time by succumbing ~

the fabric of black time pleats,
     expands, contracts :: our someday
     otherworldly, far away,
dog star, north star :: the now meets
our ancient past, and light eats
     the distance :: freedom dreams wait
     buried :: our own heartbeats generate
the insistent cadence, thread
time, unravel it :: our dead,
     still alive within us, pulsate ~



Poem copyright 2024 by Evie Shockley. All rights reserved.

&
See two more poems from Evie Shockley debuted on The Fight & The Fiddle: from the infinite alphabet of afroblues,”  and  “composition


Read more in this issue: Interview | Critical Essay | Writing Prompt

after a line by wanda coleman

by Evie Shockley

atlantic blues, salt-safe of african
bones, a brittle white
cache of black history :: lucille clifton’s
dahomey ancestors & their defiant deaths
equipping her—& me—with great
fortitude :: o blue hydrangeas of anne spencer’s
garden, o wisteria-lined, grape-vined
haven from lynchburg :: hughes’s harlem
incoming, complete with street slang,
jump-rope rhymes chanted by world-wise
kids, & deferred dreams indigoloud along lenox avenue :: goddam
mississippi & its muddy blues, a child’s
nightmare & a belated national
outcry, o nina, o tongue, gifted & black ::
phillis wheatley peters’ post-middle-passage
quill-pen :: the runagates recalled by
robert hayden, rising, flying, making
spirituals mean :: texas grotesque, its
truck-dragging fuckery & bland denials :: our
urban sequester & subsequent expulsion ::
visiting day at the prison industrial complex,
where families go to try :: so many
x’s marking so many blots, our inky
yesteryears & cloudy future :: o wanda :: o
zone of afroblues, asymptotic to afrojoy




Poem copyright 2024 by Evie Shockley. All rights reserved.

&
See two more poems from Evie Shockley debuted on The Fight & The Fiddle: décima on the fabric of time :: sirius, polaris,”  and  “composition.”


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Shara McCallum

for Hannah Lowe

Dear Nelsa, please forgive my familiarity, but I don’t know how else to begin. In the way of all photographs, you’ve become time’s signature. Here, it is always 1955, and you, stalled in your 24th year. Sent this photograph by your niece, I have to confess I feel myself a trespasser. You are of my grandmother’s generation of Caribbean women. This portrait you sat for, I know to be an older convention. Though I am sure you once (always?) believed in the dream of love, parcelled in the dedication you’ve scrawled to your beloved on the back. In your placid gaze, I see a willed-perhaps contentment (but what of the washing left on the line, your hope to return in time to gather it before rain set in?). In your half-smile, your eyes pointedly focussed away from the camera, you are the image of propriety (what of the dance floors, verandahs, and bedrooms of your life?). Scanning downward, what catches my eye are the details of the jacket you selected. Its collar, the slant of the lapel, and buttons all unmistakably conjure China. So, when now I return to your face—as with my own, your niece’s, so many of the women of our country—I see again: the body is evidentiary, sedimenting its history.

Poem copyright 2025 by Shara McCallum. All rights reserved.

&
See “Passage” from Shara McCallum, also debuted on The Fight & The Fiddle.


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Shara McCallum

I have come
not to beg nor barter but to enter.

Who are you seeking?

The past
opens and opens, fleshing me
with loss. I descend
to find my way,
I who am
haunted and a haunting.

What are you willing to abandon?

In the before, I continue:
a woman carrying on with the dishes,
the dusting, the sweeping.
But here, I am the voice of the petitioner.
Dearest, who was once of earth,
Dearest, whose departure has cleft me,
Dearest, who was my country,
my soil, my sun and sky,
every migration
is a bird taking wing.

Is this the place you seek?

Returned to the house of memory,
I take winding roads up into hills.
At one street I slow, searching
for the familiar gate
to tell me I’ve reached. But thickets
spring up, blocking my way.
I turn to find another path,
following again
until road dissolves to mist.

And if at last I arrive,
will I find you in that room
with every window like the soul
flung open and flooded
with sounds of the distant sea.
And if I spill
out into the yard, will she be still
there, the child who was me
set down in the grass,
watching the stars blinkering
on and off, their light burning
with the knowledge of death.

Is this the place you seek?

In that field I repeat
the part of myself
who believes she can stall this,
calling and calling her throat hoarse.
But you do not hear. You do not
look back but keep walking, the distance
between us widening
all night into dawn.

I want to spirit her
from this rift. I want to lift her
out of this moment and alight on any other.
But here, no bird can take wing.
No path rises up to meet my feet.
Now I have brought us
again to this place, I wade through
grasses swelling like waves,
now in this field again
I remember
as each time before
I remember
why I cannot stay and why
I must abandon you here.
At this threshold,
your last breathing—
in my ears—
is a claw dragging itself
across.

How will you carry this?

I will have to use the flowers to address you.
Wild-blooming frangipani (your cloying scent marks me).
Pointillist-starred ixora (I braid you into my hair).
Indigo-blue plumbago (you obliterate the sky).
Lignum vitae (you foretell all histories).
Roses that grow ragged along the shore (stay with me).

How will you return to the living?

Called back by the susurrating wind and sea.
Called back by the roots of my hair, dirt
beneath my nails, the body’s sweat and stink.
Called back by their voices, yours
still clenched in my fist. Called back
to all that is matter, bone, and skin,
what fragment of you survives in me
as I open my mouth to speak? 

                                                                                           

                                    

                      

 

Poem copyright 2025 by Shara McCallum. All rights reserved.

&
See “Outside the Frame” from Shara McCallum, also debuted on The Fight & The Fiddle.


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Mahogany L. Browne

             asleep crying
after the saddest most honest moment
with my only child

she said
you are cool mom 
and i replied 
i know 
we giggled briefly  
before i stopped 
and said i again 
no really, i know 

i am the mother i wish i had 

     2.
             if the pen is too heavy to unsheathe 
if the rejection is too painful to be silent 
if the silence is too deadly to gather loudly 
if the volume is insufferable   

             ask yourself: 

what is the use of a cup with a crack in it 
what is the blues without clap in it 
who are the victors profiting from our agony 
who dies when you remain tethered to the ego of your own making 
who thrives when you become sick of suffering

     3.
             what does healing look like
or what does hope sound like 
or what does love feel like 
or what does family speak like 

the answer be and has always been  
YOU
  YOU      YOU 
YOU    YOU       YOU 
YOU 
YOU YOU 
uh huh uh hummmmm 
YOU YOU 
YOU YOU YOU 
ooooooh YOU YOU 

concentric circle 
cock eyed clang 
home is here 
O! 
home is now 

love too remains 
forgiveness tree olive branch 
extension 
butter cream  
cough 
slide slide 
forward 

     4.

once my mother was the only star in the sky / i could see her / i wanted to be her / and
years after addiction turned our family into memories of rubbled beginnings / a history of
forgotten spells / i think back to my mama / so long ago

it seems / i’ve been raising myself since i was 16 years old
/ suffering from panic attacks since the age of seventeen /
praying for my own soul since i was eighteen / a new york city transplant / the bay still in
me / 23 and mini-me arrived alone together / fearless by trial and fire

my mother  / once the age I am now / became
a shipwreck of her shiniest memories / still a woman / breathing breathing being
/ more gone than remembered / less mother than whole / but alive


Poem copyright 2025 by Mahogany L. Browne. All rights reserved.

&


See other poems from Mahogany L. Browne debuted on The Fight & The Fiddle: Cyclone,” and “Ain’t Stuntin’ Them.


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Mahogany L. Browne

My daughter had yet to conquer the wooden monster
Who creaks beneath our footpath with a wheezed welcome 

We climb onto the man-made terrain  
Daughter, a big girl now, demands her own seat 

Her dutiful parents sit behind her, anxious 
Mom looks over the banister & sends a prayer to the upper realm  

Let us conquer this ravenous beast with our fists full of its fur 
Let us conquer this fear that growls in our stomachs  

The machine churns 
The sky’s mouth opens wide in surprise 

The pelicans caw at the Cyclone spectacle
My daughter’s eyes become a small pair of brown horizons 

Her scream hits the air like a clang 
Cyclone responds with a gritty gnash 

Our bodies dip & dive like the pelicans’ merciless hunt  
This is the nature of a rollercoaster named after a force of nature 

Our fitful joy laughter falls & sparkle from the sand below, look! 
A gown of our sequin memories litter Coney Island’s living room floor 

Poem copyright 2025 by Mahogany L. Browne. All rights reserved.

&


See other poems from Mahogany L. Browne debuted on The Fight & The Fiddle: I fell,” and “Ain’t Stuntin’ Them.


Read more in this issue: Interview | Critical Essay | Writing Prompt

for Mickalene Thomas


Mickalene Thomas (b.1971). Portrait of Qusuquzah #5, 2011,
Rhinestones acrylic, and enamel on panel 72~46 in., Art Bridges.

by Mahogany L. Browne

She don’t care about nothing & 
Nobody unless you talking rent check 
She Bonnie and buoy 
She natural buffed nails & acrylic press ons 
She snap her gum & chicken neck for the table 
She feed a million 
             No one thank hers 

She don’t give a damn 
She don’t care none 
She ain’t stuntin’ them 

She too busy 
bathing your babies 
& burying her own 

She too busy 
Signing up voters 
& still redlined out of her neighborhood 

She too busy 
Being 
Breathing  
Believing  
A better day gonna come 
Cause a better day be she 

She too busy gardening 
She too busy pastoring 
She too busy baking beef patty  
She too busy for the noise 

I mean, she’s a prayer 
Yea, she’s a pslam 
Look at her glitter shadow 
Check her flyy rise 
See her soar 
& know  
She sees you judging her 

She still let her mangoes hang 
She still sip her tea slow 
She blow sweet breath of life into the room 
& create a anthem of of our dreams 
Whew! She too damn busy living, baby
She too damn busy loving  & frankly 
She already done paid the price 
   of your toll 

Poem copyright 2025 by Mahogany L. Browne. All rights reserved.

&


See other poems from Mahogany L. Browne debuted on The Fight & The Fiddle: Cyclone,” and “I fell.


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Shane McCrae

                                                               I squeezed through
the door between the field of light
       Of the trapped light between      the field and
       The HR Bunker      as I rolled in
-to the cramped doorframe I was might

Have been      if living I was me
       And mine complete in every part
       My fingertips      my eyes my heart
If cut off      out      me still      a knee

-cap shattered and the shards like slivers
       Each tweezed from the      basin jagged pearls
       A treasure of myself      though curls
The wave as if it were the river’s

Hair the river has no head
       No body      is no river but
       Its waves I might have been      was what
My parts had been alive      if dead

Not like the dead are dead but al
       -most half        -alive still        if in pieces
       And as the first piece rolling squeezed just
Barely squeezed through the door      a ball

Of marrow tightened by the squeezing
       Me squeezed and tightened      the other side
       Of the doorframe stretched away the tide
In which the river finds its being

Rolls far from where      the waves in which
       It finds its being meet the sea
       The doorframe stretched away from me
Became a hallway as it stretched

As more of me and      more and more came
       Through the unending door through      one
       Side of the door and I heard then
Law barking in the walls      The doorframe

Between the field inside the mountain
       That      shithole and the Bunker is
       The only part of Hell that is
-n’t human isn’t flesh      not counting

The girders sometimes in the skin
       ’Cause even here the bones run out
       Nah      it’s not flesh      the boss shits doubt
And that’s the pipe      doubt comes out clean

In the HR Bunker      bodiless
       So maybe that’s the underside
       Of flesh it      isn’t human I’d
Lie to you      sure but      not about this

You’re the first solid doubt the boss
       Has had in years      a century
       Fuck if I know      shit      honestly
I’ve never been to the Bunker gos

-sip and weird fucking      looks from demons
       Who say they know      demons who’ve seen
       The other side of the asshole      when
You get there so will I I’ll      see then

Yeah fuck you I will see then Law
       Stopped talking      and the tunnel stopped
       Lengthening all      at once I dropped
All of me      dropped before I saw

The end of the tunnel      I was through
       Before I saw the end of the door
       The other      side of the door      before
I knew      I had      rolled glowing blu
       -ish white and fire      to the Bunker floor

Poem copyright 2021 by Shane McCrae. All rights reserved.

&


See another poem from Shane McCrae debuted on The Fight & The Fiddle: Law’s Dream.”


Read more in this issue: Interview | Critical Essay | Writing Prompt

by Shane McCrae

                                                            dreaming is incompatible with freedom because
dreaming leaves us with no sphere of action
—Susan Stewart

I rolled in      glowing shreds like sparks through the thimble door
And I beheld beheld’s the only word for it
I saw but now I’m writing it it     might be helpful
Since anyone can die
                                   since it might help the dead

And that’s still helpfulness right sure it is      advice
To the disincarnate that’s still help I rolled      the many
Glowing with the freed light the many      shreds of me
Strained through the net
                                        that bound me to the bird that had

Bound me the bloody      shreds were free the way the light
That clung to them was free released but with a purpose
I rolled through the door and in the HR bunker glowing
Bloody beheld my purpose
                                             saw with every shred

Of me as if my skin and guts were eyes      suspend
-ed from the ceiling must have been the ceiling was
Hanging on wires      from something too high up to see
A giant screen
                         divided into many screens

A monitor electric glowing hanging maybe
Fifty a hundred feet above a forest of
Gray cubicles impenetrable loud from which
A storm of static
                            but the storm was screams arose

An endless forest      like a wall but I could see
The boundary of each cubicle in front of me
A wall in parts each hopeless as an endless wall
Each closed no anywhere a window door
                                                                   except

No roof on any on      the monitor I saw
In each a different torment different suffering
For what I guess each      for a different sin the screen
Expanding constantly
                                    new cubicles appearing

New cables hissing down from the too-distant ceiling
As if the light on the screen got heavier with each
New sin      in each new cubicle      at first just one
Person the torment but then soon
                                                      another person

Sooner another one I watched the cubicles
Fill up the screams were      right away too loud for me
To hear them getting louder      I can’t write down all
The pain I saw
                         in the first cubicle I saw

I saw as if the camera floated high above it
Swimming in later the bird told me molten copper
Law told me later men the      damned I saw were men
Jawless their faces partially submerged
                                                                so that

The copper poured through      them erupted from their backs
Having first burst their stomachs which were even as
They burst reforming to be burned apart again
Law smiled
                    describing what was happening inside them

The tightening of straps I took to be its smile
The men had when they were      alive through screens had threatened
And mocked degraded others strangers anyone
They could I saw
                             in the first cubicle I saw

In the second cubicle I saw I saw a box
Tall as a coffin deeper than a coffin wide as
A phone booth phone booth deep      from front to back from where
Men entered it
                         the      coffin vertical men entered

The coffin through the lid as if it were a door
One at a time a line of men I couldn’t see
The back of the line it was beyond the boundary of
The cubicle
                    but each      of the men I saw was wearing

A rubbery transparent business suit each floated
Through the door churning slow his legs and listlessly as
If he were running in his sleep or trying to
Away      from demons monsters men
                                                              but couldn’t run

As often in a dream some power confounds your will
And though you try to fight you feel your punches brushing
Weightless against the face of your opponent      inches
Above the dirt
                         each floated churning through the door

Each branded on his forehead and his cheeks with the name
The full name not      the friendly name of the large bank
And with his title at the bank      at which he worked
Each an executive
                               and in the box each screamed

Then a loud POP and out      the back of the box each suit
Floated      a pink mush dripping quietly inside it
Otherwise empty      its legs dangling      floated back
It must have floated back
                                          to the back of the line I saw

Whole again men returning helpless to the box
I looked to Law itself more box than bird      but also
It walked on legs that might have been a person’s legs
If Law were flesh and were not steel
                                                           I looked to Law

And would have spoken shouted but Law slapped a hand
Over my mouth I      felt at once my mouth again
My body whole again      Law turned to me and barked
While you watched two I watched them all
                                                                     I’m watching still

Each cubicle each poor fuck shocked a hundred years
Of being shocked to be in Hell      a thousand years
Of being shocked      I’m smiling still but      shit you fucking
Dick you don’t want to know
                                                why you just want to know why

You don’t see women only      men well you’re a man
And it’s the HR bunker Hell wants you to care
In Heaven you’d see men and women people who
Are neither      people who are both
                                                          but no      not you

No even when you’re watching people being tortured
You gotta fantasize it’s you      not just the poor
Fucks suffering either no      you gotta fantasize
The you who cares to watch them
                                                        I have watched and seen

I’m smiling ’cause I know you recognize my smile I
Could hurt      you so you’ve learned my face      and      fuck I’m smiling
’Cause I know all the faces on the screen      I recognize
Even the torn-off faces
                                      lying flat in the dirt

I’m smiling ’cause I’m overfull      with faces wait
No Law      stopped barking and I heard the voice I now
Knew was the boss’s voice first muffled grunting as
If it were wrestling in Law’s chest with
                                                                what and then

A CLANG a THUMP then panting then a scraping sound
The sound of      something heavy a thick stone lid being
Slid into place a marble lid      and then I heard
The voice again      Law’s beak not moving      wide
                                                                                    Behold

Each screen a petal of a flower both      rootless and
Eternal and you watching watch      as angels watch
The Earth      from their perspective yes you watch as though from
Above although you stand below
                                                      the special gift

I give your kind you      people      is perspective that’s
What all that garden slander means      and see      I made my
Own tree of wisdom and of being alive      its petals
Ever budding spring
                                  tree of one flower nonetheless

Diverse and more enfruited than mere trees FOR MAN
LAUGHS SOONER THAN HE LOVES      ESPECIALLY WHEN HE LAUGHS
AT OTHERS’ HARM oh      I’ve got casks of wisdom wisdom
Pours from each flattened head
                                                   and reddens leaf and petal
Listen      I let you look around I could have claimed
You for my own at any time      I didn’t have to
Capitulate I did      the Weary One a favor
Letting you tour the place
                                           but now I see I shouldn’t

Have given you a guide a      demon’s better off
Attending to a single petal      Law was made
For a fixed world      the only multiplicities
A demon understands
                                    are pornographic show

It growth and change as you have seen my garden grows
And changes and you show it the eternal justice
From which it draws its sense of purpose      is not rock
But water
                 and it changes to fill different forms

No thing on which to stand but where to go with thirst
A demon has no hole with which to thirst      to hunger
I should have warned the robot not to bring you here
And now it sleeps inside itself
                                                  and dreams and this

Is it its dream me talking      now      to you and you
I damn      to live inside Law’s dream the      boss stopped talking
And when he stopped Hell stopped I looked      at the screen all
The images were still
                                    I turned to Law and Law

Looked like a statue in an anime a steel
Memorial both too      ridiculous and too
Beautiful to be real      and looking close I saw
A light begin to brighten
                                         the roof of Law’s beak

The light the only moving thing in the dream      except
I could have      moved but watched      instead the edge of the light
Sliding across the roof of the beak first yellowing
The gray then
                        whitening the throatmost part of the beak

And then the middle then the tip the farther it
Moved the more still the torments      looked the more Hell stopped
Seemed stopped it was      a sign the dream was ending in
Law’s dream      the end of punishment
                                                                is the end of the world

Poem copyright 2024 by Shane McCrae. All rights reserved.

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See another poem from Shane McCrae debuted on The Fight & The Fiddle: I squeezed through.”


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